#Play

“That Bearing Boughs May Live”: What Did King Richard II Author for the World?

#Play /

It is 2020, the Summer of #BlackLivesMatter, and this week, in a moment of uncommon synchronicity, the theater company who would (in another non-Covid-19 world) be performing at the Delacorte Theater in Central Park are instead presenting King Richard II to homebound Internet streamers. Today’s resonance of the Bard’s words testifies not only to word […]

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“Foul as Vulcan’s Stithy”: A Different Perspective on “The Mousetrap” and Its Intended Audience

#Play /

William Shakespeare’s Hamlet illustrates how the dead can drive the living to fulfill their unfinished business. Armed with secrets of his murdered father’s specter, Hamlet conceives “The Mousetrap,” a play within a play, its stated purpose—”to catch the conscience of the king,” his uncle Claudius—though Hamlet himself sabotages his gambit during the performance (Shakespeare 2.2.606).

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To “Fall from Bias of Nature”: A Dissenting Opinion on Good Cordelia

#Literary, #Play, #Review /

There is an old German saying that an apple generally does not fall far from its tree. A pure nature versus nurture argument, it is usually reserved for decrying unpleasant traits inherited by a wicked person’s offspring, but this philosophy has uses for dramatists too; and in King Lear, Shakespeare often paints Goneril and Regan

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“By the Strength of Their Illusion”: Reflections on the Scottish Play

#Goodreads, #Literature, #Play, #Review /

Macbeth by William ShakespeareMy rating: 5 of 5 stars Although the signifier “mirror” is absent from Macbeth, and “glass” only appears twice, once as a prop instruction and once in dialogue, The Scottish Play fairly bristles with reflections, though like the mirrors of its time, they are somewhat deceptive. First, of course, is the mirror

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