#Writing

Jabbed (Mar 2021, two months before I expected)

Ha ha. Charade in a graveyard mall
People
Crowds of people
Virus murdering Mercury jab.
Oh, you are so near.
I want to know you better.
I want to plumb and close your depths,
Feel your latitude,
Touch you because now I can
inhabit your skin

Let us trade lies and proximity
All that we love, all we disdain:
Giant gumdrop drinking fountains
Handfuls of rock candy mountains
Sustenance from our very marrows
Juice of our juice in a vial
Disease vector have-a-nice-day jab

     beyond this lonely desert stretch
people flower, rows and columns
burbling human bouillabaisse
surface still, sound incandescent
Desire. Delight.
soul-dragged, decadent, and oh so jabbed.

Your useless lips too cracked to open 
words too mean to say
words mean too much to say
words feed empty air
you are so hungry, so lonely, but here you are 
Jabbed.

Oh my! Did I jab a skewed pattern in lipstick
There on your forehead counter—
Sixteen skewered by a wisp of smoke?
Stiffen up.
Yes you believe in my make believe.
Love and suffer more.
And I marvel at my lips for milking your soul
Jabbing it dry.

So jabbed now
You are so broken and so jabbed

Pumping flaccid bicycle tires
That nozzle so deep I have to tease it out
What is that spatchcocked against my teeth?
Sphinx shining with sniffling vindication
Strikes a pose but that sucker can pump
Back and forth like jerking it off
And you laugh because you are jabbed too

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#winning

It’s no wonder Mom couldn’t live with you. You always think you know everything, but you can’t learn common sense from a book. “They’re not crisis actors,” you, my younger brother, said. We sit in Mom’s living room, in the tiny house she bought after fleeing your home in Florida. I leaned forward and pounced.

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“You Must Come With Me, Loving Me, To Death”–Sexual and Gender Tropes in Carmilla

From its inception, Gothic literature provided a vitrine for presentation of taboo subjects, especially forbidden love. Walpole’s Castle of Otranto, for example, tells of Manfred’s pursuit of an incestuous relationship with his ward. Carmilla, by Joseph Sheridan Le Fanu, written during the Victorian Era of adamantine sexual repression, features a steamy same-sex relationship, veiled as

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Falling Faster Than a Helmet From the Sky.

As I ponder Walpolian and Radcliffean female characterizations, in an Airbus bound for Los Angeles, a prospective couple in a seat behind me attempts pairing. After casual chit-chat, the y-chromosome bearer asserts to a candidate for a computer science master’s program at University of Southern California, how surprising her success is, given that women are

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Some Gothic Impressions

The Gothic is a wide umbrella, able to encompass stories as varied as Anne Radcliffe’s The Italian, a passionate romance of young lovers set in “exotic” Italy against the backdrop of a corrupt Catholic hierarchy, and Bram Stoker’s epistolary Dracula, a horror tale where undead bloodsuckers are repelled by Van Helsing’s little cross. Common to them is an obsession

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